swedish underground powerhouses mr tophat & art alfie return to bass culture with their second ep for the label after the phenomenal success of their first outing, which picked up strong support from across the scene, particularly from ricardo villalobos. this time around, they drop two hefty slabs of disco-tinged house imbued with their own distinct flavour throughout. ‘dub the rub’ pumps along with an infectious groove, tough percussion powers along with a rolling bassline. watch out for the vocal-led breakdown midway through, killer! on the flip, ‘fnatt’ works around a more traditional melodic house motif, tender and bright with a lush b-line and captivating vocals made to move your body and soul.

bon voyage is an ever-shifting constellation of musicians led by paris-based producer and bass player adrien durand. durand was first spotted in 2009 by jamal moss, boss of renowned chicago label mathematics recordings, which released durand s solo effort (impersonnel naviguant) under the moniker les aéroplanes. that first record, done using a very academic house music setup consisting of an eight-track cassette recorder, a drum machine, a cheap analog synthesiser and an even cheaper sampler, caught the attention of such dj s as beautiful swimmer and toby tobias. for his bon voyage project, durand recruited drummer nicolas ballay and keyboard player/engineer maxime kosinetz. while opening for legendary italian dj daniele baldelli, the band caught the attention of chicken lips s steve kotey, who released bon voyage s first two records (sorciers des aéroports, l imposture) on stendec, a new imprint created for the occasion

wife is the first single from pete dafeet s forthcoming album the root, the soul. an exultant slab of piano-led house, wife screams summer and should prove a hit on europes dance-floors as festival season rolls in. nacho marcos remix adds steel to the originals splendour, with tr-303 and 909 joining forces to drive energy levels skywards - recalling nachos recent outings on ovum, classic, and we play house. early dj support from chez damier, ian pooley, charles webster, milton jackson, manuel tur, moodymanc, blakkat, danny howells, luke solomon, atjazz, radio support bbc radio 1 (monki) bbc radio 1xtra (monki) defected radio show traxsource radio show (x2) fish go deep radio anna wall (defected, future disco radio): these are some of the most beautifully crafted, well put together prouctions i ve heard in a long time.

michael l penman s lazy boy opens up proceedings on a dark and hypnotic tip with dreamy pad lines, modulating bass tones and weighty distorted rhythms. belgium s igor vicente reworks lazy boy next and provides a more reduced take on things with sparse percussive elements and menacing atmospheres. on the flip side scott kemp turns in sirma , a subtly unfolding groove-led number built around stripped rhythms and soft synth flourishes, while sascha dive rounds off the package by reshaping sirma into a brooding, seven-minute mesmeric workout.

a sound that recalls the old classics of the melancholy detroit style passing gradually in the deep berlin tone. the distortion on the wave of the uk has led them to conceive an absolutely innovating style, full of the teachings of the old school, model and example of the fans of the genre.

a nasa satellite has confirmed the ancestral tradition of the -music of the spheres-, that celestial bodies emit harmonic sounds. although the music of the spheres has led first to the notion of universal harmony and then symmetry, it has now been discovered that the sun s atmosphere actually emits ultrasonic sounds and interprets a score formed by waves that are about 300 times more severe than tones that can be captured the human ear. this time, orbe represents these sounds.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

ltd edition 100 units
la cimenterie is very proud to present you its first ep. the alan du coq project is an independent venture led by french producer lemon mcwright. magical encounters with talented musicians characterize this first release full of groove and good vibes. anne la pitch is a funky tune featuring saxophone maestro fredmelosax (long time collaborator of playin’ 4 the city, dj deep) that will definitely get your groove on. brazilialan is soaked with brazilian flavours. a sexy and classy bass drives the track accompala cimenterie is very proud to present you its first ep. the alan du coq project is an independent venture led by french producer lemon mcwright. magical encounters with talented musicians characterize this first release full of groove and good vibes. anne la pitch is a funky tune featuring saxophone maestro fredmelosax (long time collaborator of playin’ 4 the city, dj deep) that will definitely get your groove on. brazilialan is soaked with brazilian flavours. a sexy and classy bass drives the track accompanied by percussions. a perfect vibe to give your night a live and tropical twist.finally, pompe le pad is… pumping, giving you that wild energy you need at 3am to get those booties shaking and bouncing…nied by percussions. a perfect vibe to give your night a live and tropical twist.finally, pompe le pad is… pumping, giving you that wild energy you need at 3am to get those booties shaking and bouncing…

knuggles recordings is very delighted to present moire patterns second essential play ep. the title track * get it thru* puts you right in the middle of a pumping house party. this grabbing and powerful long-playing tool with afro kick grooves and haunting vocal licks will keep your bottoms up! look out! it can knock a hole in your wall. on the flip side moire patterns is featuring special edits of tracks by two original artists: jaone and bratacas. led by a tambourine, the constantly modulating pattern of “taxanetsi brothers” drives you into a more platonic dimension of classical and balkan music. disco fashion! bratacas 029 has been selected from the diverse works of bratacas. its an elegant ambient electro-acoustic piece that makes us reminisce about the uk dnb scene of the late 90ties. or is it detroit?

british powerhouse alan fitzpatrick returns to figure with his second ep on the label after 2009 s weed killer / science . since then its clear that alan has continued on a dedicated, valiant quest to find his own sound, and the results are on show here, with a heavyweight, emotive and futuristic techno three-tracker. like a warm rush of endorphins on the summer breeze, alan s rich up-building sound is perfectly represented in tracks like a subtle change , with its jubilant stab-led melody, or the modern club-weapon vibes of trigger finger . harking back to late 90s uk idm and proper dub-techno atmospheres, fitzpatrick then gracefully crafts a down-tempo, space-out version of a subtle change for the b-side, providing the afterhours sessioners with a new buzz-track.

silas moldenhawer and jonas kenton, both children of the early 80s, grew up alongside each other in the tiny big city of copenhagen. in their teenage years they discovered electronic music and this led them to start spinning records and producing tracks together. years later they met two other talented musicians and formed well-establish danish indie-electro outfit when saints go machine, but still kept on building kenton slash demon as a separate project.

a hypnotic and seductive slow motion groove led along by one of italo discos most swooningly understated yet affecting vocal performances. if ever there has been a record crying out for a proper reissue it is this one. limited official reissue - first copies on translucent blue vinyl.

norwegian producer thomas urv drops the småskansen ep on his own ploink imprint this april. one of norways leading techno prospects, thomas urv has promoted and played at countless events across the country featuring the likes of jeff mills, juan atkins, derrick may, carl cox, richie hawtin, robert hood and kevin saunderson. when not delivering his three deck performances across scandinavia, spain, france, holland, canada and the uk (for fabric and bestival) the norse producer is firmly focused on ploink and his studio activities. *fuktig sol* leads the ep and is a sinister cut led by a morose hook and syncopated rhythm whilst whirring atmospherics add to a looming tension. the dark undertones continue in *stell/less* although steady kicks construct a vibe better suited towards peak time dancefloor madness. tying up the release *sånn isbre* delivers a frenzy of layered sounds that evolve over the course of a lengthy 16 minutes.

reissue of elias rahbani & his orchestras super rare arabic disco holy grail *liza liza* on the original lebanese voix de l orient label. recorded pre-civil war at a time when beirut was known as the paris of the middle east, a luxurious holiday destination and flourishing trade centre. the title track is totally out of this world, perfectly blending eastern & western vocals, instruments and musical influences with a driving disco bassline to create an irresistible floor filling cosmic odyssey. the flipside features the even more out-there *from the moon* a fantastic tripped out psychedelic disco funk monster, followed by the dreamy accordion-led *summer love*. also boasting one of the sexiest covers in disco history further illustrating the liberal thinking and western influence in lebanon at the time. highly recommended!

the latest instalment from danse club kicks off a much darker and harder side of the label previously unheard of on the now established imprint - with dark sleeves and muted colours there is a clear difference in sound and direction with the 17th release by emerson todd.danse club have called upon sascha dive, nathan barato and themselves (brodanse) for remix duties in order to take emerson todds original piece in three very dance floor led yet contrasting directions. from each of the remixers you get exactly what you would expect from the said names and the result is a package of stand out danse club tools that will find their way into a number of record bags permanently

the 7 inch vinyl single has a contemporary style vocal track from lovers rock legend peter spence, who has teamed up with producer phillip gadd for a 2014 revisit and adaptation of this timeless classic, which was originally recorded by ken boothe in 1970 for ja artist/producer keith hudson. the b side features a horns led instrumental version. limited edition of 300 numbered copies.

morris audio welcomes italian hot shot kocleo! a skill full dj and producer, kocleo has been releasing his music on labels like definitive and recently on kerri chandlers madtech. the 4 tunes of his *float* ep are pure tech house. *float* starts with lush organ stabs with echoing vocals and strings, continuing with a bass led house cut and percussions. the deep and dubby *float* remix is by another up and coming versatile italian producer: whitesquare (skint, noir or defected).

anthem alert, digging deep into the box marked detroit! polartronics aka legendary producer and dj extraordinaire terrence parker delivers this almighty grooving kalimba led cut from 1993 on kms offshoot trance fusion. this is one that will get the dance-floor moving in seconds, the real deep house deal!

over the past two decades, french producer and live performer, terence fixmer, has continued to evolve as an artist while maintaining his influential stance in international techno culture. with his last solo album, comedy of menace, already five years behind us, his continuous evolution has led him to produce his most introspective album yet. with this 10-piece composition fixmer is able to tell a story from start to finish, with powerful, deep, dark, pulsating tones that are essential to his musical approach.
first record pressed on black, second on white vinyl.

continuing uk producer clerics double-header on figure, figure 65 offers up 4 more brand new tracks from the sought after young talent. following on from his wonderfully diverse collection of tracks on figure 64, clerics skills continue to shine in this second chapter. after a beautifully sensitive chord-led introduction in the form of >shifted reality<, showing off some rare after-hours vibes from the cleric studio, we hit the peak time once again with >plexus<. a stripped and perfectly balanced moment of percussive dj tool glory, all we need are claps, kicks and fx to get the room working overtime!

next up on ellum witnesses the salubrious dino lenny delivers a double-header of epic proportions on his its saturday single. the a side its saturday’ is a heavy as hell piece of colossal techno loaded with a kick like a mule and enigmatic vocals to boot. on the flip and we are indulged with another hefty affair i am changing, with another vocal led jacking heavy hitter with vocals courtesy of dino again. serious stuff for discerning dance floors, speakers beware! dino has been making music for since the late 90’s having remixed everyone from madonna to underworld, and have been championed by everyone from peter tong, the chemical brothers and maceo plex. this fantastic ellum debut is tantamount to his electronic wizardry.

ibiza based artist pepe mateos is a relatively new name to most but has been bubbling away on his home turf, clubbing mecca the white isle for quite some time, releasing since 2011 and running his own flow musique imprint mateos delivers raw and gritty compositions in the realms of house and techno. thought pepe retains a relatively under the radar status, hes managed to garner the attention of nicole moudaber, marco carola and cajmere to name but a few. here we see him launch the hide + seek imprint with more of his infectious groove-led style.

based in berlin, slow life is a multidisciplinary collective of spanish and italian creatives led by percussionist sergio moreira. his production first caught the ears of phonica via a trilogy of highly impressive 12 inchs on the group’s slow life label, all of which were instant hits and flew out the shop. for this release, moreira teams up with xinner for three of the ep’s four tracks and the results are a spellbinding journey through deep, hypnotic techno, broken beats and submerged ambience. the artwork is once again by acclaimed visual artist jack featherstone, the designer of a number of sleeves for border community, electric minds, warm and of course, phonica.

another classic from the west end archives! forrrces keep on dancin from 1982 was a huge record across the board from bronx block parties to the paradise garage in nyc and dj harveys moist nights in london town, its popularity was bolstered by a fierce francois k dub mix on the b-side that stripped the record right back to it s most basic elements with a healthy dose of reverb assisted psychedelia thrown in for good measure! this killer cowbell led boogie jam has always been a big hit with disco freaks and continues to sound fresh some 30+ years later even making its way into veteran uk dj and music historian sean ps 100 boogie essentials 1980-1984 list. high praise indeed!re-mastered from original tape transfers, re-pressed and made available again for 2015 in conjunction with west end records, new york city.

pablo and shoey return just in time for festival season with 4 new bits for the front of your box. e-man groove is a massive disco-rock jam that could have been sprung from the minds of dem idjut boys, with sympathy for the devil style percussion and wild guitar riffing driving the whole thing. blazing sunshine, meanwhile, is a funky, hammond organ led version of let the sunshine in, a guaranteed hands in the air moment when dropped at the right time. disco treat is more of a modern floor-burner, closer to straight production edit with a bouncing bassline and all manner of whacked out disco sounds in the mix, not to mention breakdowns for days. rounding off the package is some classic funky soul breaks - the lads tear a chunk off bettye lavettes soul tambourine to make play it, break it on down! as sampled on stezos golden era hip hop rocker to the max.

the playgrounds fifth 12 inch comes from toronto born, brooklyn based james duncan. duncan is a man of many trades, from running his own imprint to playing in the 178 improv project led by sal principato of liquid liquid. two brand new tracks of raw house music, limited to 200 copies on vinyl only.

already support by marcel dettmann, marcel fengler, steve rachmad, objekt, deetron, len faki, voiski, sebo k, dj deep, bleak, tripeo, jonas kopp, slam, electric indigo, the exaltics, stephen brown, jeroen search, xhin, dexter, dimi angelis,…

panthera krause joins the lobster theremin stable with a mid-summer trip into the heart of the sun. drawing on a plethora of classic house influences, krause weaves these into a style which is a at once recognisable yet uniquely his own, production-wise drawing as much from the mpc-led west coast beat scene as the european house approach.

especial take a side-step, welcoming up and coming producer wolf muller to the label with his remixes of indie-pop dreamer mariam the believer. two striking percussive, led reworks of her single invisible giving appear exclusively on vinyl.

proximas debut album, alpha, released through tempa, follows on from a string of blistering singles for the label, which found the dutch producer carving out a stark and synthetic vision of 140bpm club music. across its eleven tracks, alpha sharpens his already distinctive aesthetic while significantly broadening in scope. it is a manifesto of sorts, centred firmly around his characteristic, titanium-hard dubstep mutations, yet comfortable taking spaced out voyages through melody-soaked electronics, freaked-out sci-fi funk and vocal-led songs.

people must jam have an undisputed three for three on the score board, and it comes as no surprise that this serious second innings in the floor jammers va series is heading straight for the outfield too ! it s a truly international affair, as chicago disco don rahaan takes the lead with an irresistible uptempo jazz-funk rewire while uk producer andy ash is next up to the plate, rearranging and amping up a teddy p classic on the b, tokyo s beaten space probe takes on millie jackson s incendiary we got to hit it off (as recently hacked up by tom trago) bsp leaves in the best bits here as the powerhouse groove gets a respectful renovation. finally out in the sticks wrap it all up eighties fashion, as a slamming bassline led drum machine jam powers us to fourth base. strictly limited to 300 copies.

continuing a strong line of afro inspired works, men like pedestrian & jasperdrum drop another scintillating technoid excursion on 2nd drop. deeper, moodier with dynamically carved esoteric angles, *origins* moves forward from the superb kalakuta, the afrobeat meets bass music bomb supported by giles peterson, scuba, midland, mr scruff and many more, from last year, to deliver a heads down destroyer. off kilter, wonky and expertly crafted, pedestrian & jasperdrums *origins* is pure class, led by a host of syncopated percussion, haunting flute lines and distorted vocal samples, this is what fela would have sounded like if he had teamed up with carl craig in 2014! on the flip we welcome alix perez, best known for his dnb production but widely talented as shown by his arp101 outings on the likes of eglo. here, alix takes the tools to kalakuta, transforming the originals afrocentricity into a tense, punchy roller, dominated by a bass line which literally jumps in to your ears. toss in a stabby synth line, rifle shot drums and plenty of bass with space, this a beautifully crafted refix.

in his first outing since 2011s now classic the orange place, test pressings paul byrne teams up with sades andrew hale for the light machine, a low slung, throbbing, acid led piece of gorgeousness that has been getting rave reviews from the balearic mafia all over. for esp paul teams up with yellos producer / engineer ian tregoning aka the stranger for another intoxicating piece that recalls the best moments of the art of noise if they were still making music in 2014. a remix from swiss dj and perennial man of the moment lexx rounds out the package perfectly. golf channel every time!

lobster theremin launch their first sublabel proper, heralding a darker, murkier and deeper sound on their newly minted mörk imprint. retaining its mother labels passion for championing newcomers, mörk launches with a debut release from young netherlandic producer nthng. cultivating a sound that sits somewhere between prince of denmark and early claro intelecto with splashes of clone influence, nthngs stripped-back techno walks fuzzy, shrouded paths through nolstagic moments in time. at times almost drowning, his engulfing sound is a raw reminder of the power of subtlety and the use of meditative looping along with a rough-around-the-edges production style has led to an incredibly moving debut work.

after the first amc release which gained full support from a cast of music collectors and djs including dom servini, diesler, paris djs, moonboots, craig charles plus many more africa music corporation is back with another single ahead of the cd compilation release in october. twelve mabone conjures up images of dusty outdoor dancing, 100 s of pairs of feet kicking up the dusty red soil of africa in a manic outing of unbridled joy, check the rhythm and imagine a young malcolm mclaren hearing this type of music and the inspirations that it led to. the flip is a lowdown groove fuelled walk through the sleazy sound of funk. more quality sounds from the 70s and 80s south africa and re-released for todays audio pleasure

in the lead up to his debut solo album the ten thousand yen label boss returns home with four essential cuts, with two vocal features from la s seven davis jr. the ep is led by what s it gonna be? which is already picking up early love in the clubs and on radio by the likes of annie mac & skream. from the disco-charged drive of together to house/acid/techno morph ghost text to the r&b lean of i promise , the from mine to mistress ep is a diverse collection of tunes that really show off daneeka s varied production style.

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

thatmanmonkz is certainly enjoying a fine run of form ! heavy duty releases for delusions of grandeur & kolour ltd, alongside a steadily building and essential catalogue on his own shadleaf music label for their fifth outing the label has opted for a split single, with french house royalty ludovic llorca aka art of tones handling a side duties ‘so worried’ marries a spoken word vocal with an irrsesistible clipped organ led and bumpin’ house workout that sounds a lot like fellow frenchman st germain did way back when. monkz handles the flip with the kind of rough and ready sample-house jam the label has championed ‘got to get to’ strings together a handful of live instrumentation & melodies in classic collage style, while the dub strips down and houses up the ingredients for a clonked out finale.

king champion sounds deliver a blistering 10 inch album with free cd (incl. 2 bonus tracks) inside that combines a hypnotic krautedelic / dub / minimalist / electronica tunes with a sugarshit sharp wordsmith in his element. g.w.sok (former lyricist / singer for the ex) has never been in better form. the band, led by ajay saggar, close ranks hard to deliver the tightest and most exciting palette of music you will hear all year. they combine the grit and grind of the best of post rock underground with the swinging horns of africa in an astonishing whole.

with very little music made available to the public lido established a cult following amongst the high profile djs that have been lucky enough to seure his unreleased remixes to play in their live set. these unreleased remixes - with their signature intro four notes acting as a craftsmen stamp (the same notes illustrated on the cover) - have led to numerous bootleg live recordings of the remixes giving an almost folklore-eque mythical quality to them

*head off, heart on* is next to go. this ep of our artist juzz contains two brand new tunes, both revealing in depth sight on the producers perception. *i felt a deep urge to get rid of all my conceptual influences regarding the way of creating my music. almost like a purifying force that guided me back to the roots of expressing my emotions through music- says the long time producer and dj. constantly being surrounded by music got me more and more into a repetitive workflow. remembering the freedom and innocence of my first attempts in the studio led to this sole conclusion: turn your head off and your heart on.* and the result speaks for itself: highly emotional music wrapped in functional arrangements, aiming to move your soul. accompanied by two astonishing remixes from markus homm and dreksler & haerle, who both got only one demand: head off, heart on.

with previous release on phil, midnight shift, amajin records and luv unlimited, germany s simon hinter makes his tenth circle debut with nomina ep. ranging from the blissful, innervisions-esque house soundscapes of lead track regenmacher , through the breezy, jazz-led groove of adhs to the laidback funk of the cop , nomina ep is a meticulously crafted ep from a producer at the top of his game. following previous releases from m.ono, vin sol and greenville massive, nomina ep is another assured and diverse release for the london-based tenth circle

a sublime three tracker that continues endless short history of releasing music that encapsulates an otherworldly beauty. the title track is a smooth deep dancefloor cut driven by a catchy chord pattern and crisp beats, while >vabene< encapsulates a rare exquisiteness with its chugging bassline and evocative melodic keys and already has a special place in clubbers’ hearts and minds after it was the opening track of lucas lauded set at sunday debauchery in nyc in june – a set he rates at the finest of the year so far. the ep is rounded out with the outstanding >la valse de la pertinence< that’s led by a call-and-response dual bass and key melody that drives the cut, making it simultaneously groove-ridden and sublime and spacey.

this edit of malis amadou & mariam ce nest pas bon (originally created in 2008 for my dj sets) was supposed to be included on the recently released third autonomous africa 12inch. unfortunately i didnt get permission to use it in time for that release but permission has now been given, so rather than wait for aa 004 in 2015 it is going to come out as a limited edition hand stamped 10inch as soon as possible. all proceeds will once again go to the mtandika mission in tanzania -www.actioninafrica.org/about-mtandika.php a big thanks to ben ufo and midland for championing this edit. the interest they generated directly led to the motivation for this release.

david k is the parisian-turned-berliner producer who has been a prominent artist within the underground house scene since the late 90s, having first joined forces with dan ghenacia of apollonia when releasing his bestseller * boul de nerf* on freak n chic. a fruitful career in production led to music on labels like cocoon, visionquest, supplement facts and bpitch control, while his new album * out of range * is just about to drop. ten years in the making and signed to tiefschwarzs souvenir, david proves his music is still as relevant today as ever. as one of the main artists on freak n chic, david k seemed a natural fit for apollonia to approach...* david is an old friend and talented produced who we have known from the beginning back in paris. of course we wanted to see what he could do for the new label, as you know by now we apollonia are always referring back to our roots. a 2-track package, * middle-aged romance* is characterised by its bell melody and hard-hitting bassline, an electric story moving between ethereal wonder and an intense workout. * drop the beat* perfectly demonstrates the classic chicago house style david k and apollonia first enjoyed together all those years ago, but adding a very modern, textured touch. coming 2014, apollonia invite premiesku to the label – the combination of livio & roby and their pal george g – and also the newest addition to the lola ed roster.

hold the front page! we first got a listen to these cuts while washed up in an after the after a couple of weeks ago, a bit of sober investigation led us to a fiendish plot involving a host of anonymous, though very well known artists, all contributing straight up, in-the-moment club music of the highest calibre ! needless to say, we shook hands on what is promising to be a very memorable and collectible series…night parade based on the japanese folklore of the *night parade of one hundred demons* each release in the series will take the name of a demon/monster from folklore and a graphic artist is asked to interpret/re-imagine it in their own style - sleeves will be hand screen-printed & each release limited to 300 copies. the music is by an anonymous collection of producers from all over the world.

having emerged from a crop of disco flavoured releases and vocal led remixes a couple of years ago, ashley casselle and asadinho decided to embark upon creating a series of stripped down housey techno dj tools to be used as experimental moments within their own podcasts and dj sets. this degree of honesty, and a desire to hark back to the roots of the music that drew them together in the first place, resulted in the sublime and bouncy *ceefox*. grainy 70s b-movie strings atop an addictive bassline equals a subtle yet huge club moment wherever it is played. we here at murge decided to entice these charming deejays to put out this deep and groovesome tune with us. two remixes come courtesy of new kingpin on the block jordan peak, who takes things into a more stomping club arena, and the beautifully glictchy ambience of julien miers headphone friendly interpretation.

luciano esse s own blend of techno has led him to release on acclaimed labels such as safari electronique, trapez ltd and material among others, and to be invited as a special guest on john digweed s kiss 100 radio show. his decade long gig schedule has seen him take the stage at superclubs like fabic

just over a year since the inception of weekend circuit, weve been embracing the fact of already inviting some of technos most established artists alongside new talent from all over the world leading up to the 6th release on the label. dax j, hubot, coldgeist & rommek have led the line, also welcoming the likes of jonas kopp, developer & adriana lopez to the label providing stand out remixes.